To celebrate World Book Day, which was last Thursday, I was approached by Cass Arts for an interview for their blog. Here is a snippet of the interview, to read it in full, go to http://www.cassart.co.uk/blog/world_book_day_su_blackwell.htm
World Book Day Interview With Book Sculptor Su Blackwell
World Book Day; when children and adults alike dress up as their favourite book characters, celebrate their
favourite stories and dig out their best books to read again. And we
all know that art and books go together beautifully - a piece of art
preserves its own story, meaning and piece of history, just as the
published book does.
Some artists take the marriage of art and
books even further. Su Blackwell, an RCA graduate and artist who works
primarily in paper, makes book sculptures and installations out of
second-hand books. She has been commissioned to make work for several
publishers and magazines, and well-known brands like Crabtree &
Evelyn and Volvo.
But
it's World Book Day, and we wanted to talk to her about her
page-turning, story-telling inspiration that comes from the beautiful
book itself.
Happy World Book Day Su! Before we talk art – do you have a favourite book of all time?
It's hard to choose one above all others, but I could pick out some of my favourites...Alice in Wonderland, Wuthering Heights, The Snow Queen by Hans Christian Andersen, Bram Stoker's Dracula, and most recently The Crane Wife by Patrick Ness. I love the fantasy elements in these stories.
Happy World Book Day Su! Before we talk art – do you have a favourite book of all time?
It's hard to choose one above all others, but I could pick out some of my favourites...Alice in Wonderland, Wuthering Heights, The Snow Queen by Hans Christian Andersen, Bram Stoker's Dracula, and most recently The Crane Wife by Patrick Ness. I love the fantasy elements in these stories.
Betty in Cloudland
Can you tell me how you got into making Book Sculptures?
I studied mixed media textiles and sculpture at the Royal College of
Art, and during a trip to South East Asia, I was introduced to paper folk
art for spiritual ceremonies. On returning to my studies, I began
experimenting with paper,
and this led me to cutting things out of books. It has been a
progression since then, as I began sourcing books as materials to work
with.
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