Thursday, 30 November 2017

Caring For Your Books

On Handling Books

Never take a book off a shelf by putting your finger on the top of the spine and pulling the book towards you – this damages the head-cap, which will eventually break off. Try and remove a book by either passing your hand over the top and gently pushing from the fore-edge or by
pushing the flanking books further forward so that you are able to wrap your hand around the spine of the book and firmly grasp each side. Ensure you support heavy books with the other hand underneath.

Excerpt from 

Tuesday, 28 November 2017

The Sleeping Beauty Theatre Book

Here's a snippet of my daughter's rendition of Sleeping Beauty. 
I thought this was apt as the news yesterday was dominated by the announcement of 
the Royal engagement. 


The Sleeping Beauty Theatre Book encourages fine motor skills, story telling 
and imagination in young to older children. 
A lovely gift for fans (of all ages), of Sleeping Beauty, and my illustrated story book 

Monday, 27 November 2017

German Edition of 'Once Upon A Time; A History of Fairy Tales' by Marina Warner Released


From wicked queens, beautiful princesses, elves, monsters, and goblins to giants, glass slippers, poisoned apples, magic keys, and mirrors, the characters and images of fairy tales have cast a spell over readers and audiences, both adults and children, for centuries. These fantastic stories have travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. 

Cover art-work by Su Blackwell


Tuesday, 14 November 2017

Oh Dickens! Chatsworth House Commission

Back in the spring, I was invited to Chatsworth House to discuss ideas for their upcoming 
Christmas exhibition.
Jump forward to November 2017, and...

... Oh Dickens! It's Christmas opened to the public on Saturday. 
My commissioned installation 'Dickens's London' is on display in the house until 7th January. 
Based on old photgraphs of the streets, slums and Inns where Dickens drew his inspiration, are houses sculpted from each of his 16 novels, first published between 1836 - 1870.

'At times London took on a role of it's own, dominating Dickens's narrative like a character in it's own right'. (Excerpt taken from 'Dickens's Victorian London', by Alex Werner and Tony Williams.
Photographs of the work in situ

Tuesday, 17 October 2017

One Place Still Available for my Workshop in Lewes on Friday 1st December

A couple of spaces are still available for my workshop at 
Charleston House in East Sussex this December 
'Design and make a winter-themed tunnel-book greeting card' 
  3-d paper-cut cards using Windsor pastel papers © Su Blackwell 

 All materials, lunch, tea and coffee will be provided.

Charleston House, Lewes, East Sussex
Friday 1st December 10am - 4pm

To book your ticket, go to 

Thursday, 12 October 2017

'From Waste to Art' Symposium Baku, Azerbaijan

Sometimes it's good to get out of your comfort zone, and try something new, while experiencing different cultures and making new friends in the process.
I have just returned from a ten day trip to Azerbaijan, as part of their annual art symposium 'From Waste to Art', Azerbaijan's capital city's 'recycling' innitiative, which helps to promote and develop the concept of recycling to a wider public.
On arrival, I was greeted by a somewhat surly spokeserson from the Company, whose job it was to look after us thirty artists, mostly travelled from overseas.
Baku is a chaotic, seemingly haphazard city.
Although hats off to the company, they did manage us artists with professionalism and care.
The first day we were taken on a trip to the recycling plant, where artists were given an opportunity to collect materials to use in their projects. Then we were taken to a large warehouse in the Qala settlement, just north of Baku.
Qala is situated within the oil fieds on the outskirts of the city, and on the drive over from Baku to Qala, one could smell the faint scent of oil in the air.
The scenery around Qala is desolate, industrial on a scale I have never seen.
However saying this, there were birds, the odd wildlife in the fields, but for the most part, no life at all, not even a blade of grass.

 Motley Crew of artists
Lake of crude oil has seeped to ground's surface. 
The local people I encountered in Qala where some of the kindest people I have had fortune to meet.
And spending ten days with artists from all over the world, Azerbaijan, The Soviet Union, Ukraine, India, USA, Jordan, Turkey, Serbia, Germany and the UK, we began to feel like a family unit, all in it together.




It is a credit to all of the artists that we all finished our artworks in the few days allocated to us, culminating in a group exhibition which was held at the Musuem in Qala on our last day there.
 My work features Russian Knapweed, an invasive plant native to Azerbaijan and surrounding area.
The works will be on permanent display at the 'From Waste to Art' Museum in Qala, 
a museum dedicated to the project. 

Azerbaijan is a country of contradicitons, and of extremes. Mixing uber modern architecture with ancient archeological stone carvings. Parts of it are extremely beautiful, and parts, the parts which they don't show you in the travel brochures are extremely ugly. 
 Uber modern buildings mix with ancient walled city.
But I feel they are a nation wanting to learn, wanting to learn how to protect their country, and their enviroment, and with the will of the people, this is starting to happen with initiatives such as this project, and I hope it will continue to happen, sooner rather than later.